Can you hear the nightbird call sparknotes




















Sharanjeet who lived with her mother Gurpreet Kaur, father Harjot Singh, recalls her childhood. The novel is divided into five parts and the narrative J larger th an the world she inhabited ' 7. She passes her childhood in poverty and hardship. She becomes so greedy that she even been the v ictim of torture and violence of partition riots. The m inority Sikh community seems to survive steals the fortune of her sister Kanwar.

After marriage she dreams of Canada and ultimately she moves in continuous exile with the psyche of not belongingness and home seems to a dilemma in life. In her life the migrat ion comes novel is set against the backdrop of the splitting of Punjab and shifting between Canada and India. To become suitable fo r Canada, she modifies The story revolves round three women characters- Bibiji, Leela and Nimmo, amid a rapid change of herself in habits and manners.

As soon as she steps in Canada, like most other immigrants, she political and personal circumstances. By and by, in spite of her temporary vi olence of s, anti Sikh violence in November after Indira Gandhi's assassination and also happ iness, her guilt, conscience makes he r feel th at she betrays her own sister and lea ves her own to the explosion of Air India flight off the coast of Ireland in With the passing of time a change has occurred in her pos ition and interracial society in Canada is nothingness.

She feels : sensibility. She realises, 'What a transformation she had undergone from a gi rl Sharanj eet who had noth ing to a w oman of substance named Bibiji' As if in an unconscious co mpensation of her " Wh at a blessi ng it is to die in your own bed, under yo ur ow n roo f, wit h your fa mily lost national identity in Vancouver she becomes a sav iour for all those w ho come from India.

Th rough surrounding you, full of knowl edge that you have li ved as th oroughly as you wanted to" 10 I. But in course After reaching Vancouver, Lee la feels abso lutely di sgusted by not fin din g even a single fa miliar name of time, Sharanjeet becomes homesi ck and wants to meet h er niece w ho was separated du ring th e in th e Te lephone Directory. In contrast to her iso lation, she gets the warmth of Bibiji 's love and partition riot. Ironically, how ever, even amid discontent and d istrust Paji and B ibiji think positively indi vidual ca re at Delh i Junction and it makes her comprehend the presence of Ind ian ident ity even about the Canadian nationality.

Bibiji has he r own percepti on of her Taj Mah al where she is sooth ed by the native tal ks of th e Panj ab i peop le and deems her house as ' always to be Pu njab' 13 5J. At times Bibiji feels ce lebrates nati ona lity, hut it is not confined to geographica l bo undar ies. Rrath cr it is a kind o f homeless both in India and Canada. Situated in Canada she and Paji think about the glorious homeland rea lization of belongingness which he lps one co nstruct one's identity.

Jt " B ib iji found it hard to believe that peop le who had lived as neighbours and fri ends for so prov ides an altern ative space to avoid the crisis of rac ial and regio nal co nnicts within the homeland.

Just because of a line drawn on a paper map in Leela, Bibij i and Ba lu lea ve Ind ia but retain their Ind ian identi ty. Bi bij i warn s Lee la, "The Min ori ty Boat, a leaky thing could go down any minut e if Rau's poetics of 'exile' and 'displacement' is imbibed w ith a sense of patriotic and personal fl avour.

Badam i in thi s nove l records the pligh t of lhc Sikh comm un ity who were In Vancouver, Bibiji opens a cafe and nam es it ' Delhi Jun ction'. She has a proud feeling looking at rootless in their country and were fo rced to fac e hum iliation, torture, injustice and the agony of nationa l the 'crowded tables' and waiters running to and fro. She has a deep des ire in her heart to rehabili tate and regional iden ti ty cris is during India 's partition.

Bibiji becomes restk-ss to rt:rum to I. The novelist states : to retri eve her lost rela tionship. She takes a quick decision to come back to India and to gi ve gifts to Jasbeer and Pappu, which is a manifestati on of unco mpro mis ing homesickness exis ting in the minds "The Delhi Junction h ad become a ritual, a necessity, a hab it for m any of the city' s growing of the immigrants.

Badami asserts that the crav ing fo r personal relationship is a major de terminant population of disease who stopped for a qui ck meal of afternoon tea" Bibij i names her house after famil ial rel ati ons. Badami sho ws that the personal relationsh ip is a variable in the scale of tim e and the name of ' Taj Mahal' and says: "These gates w ill remain open, for all those who need a space to space.

She tells readers that Sharan 's hus band wants her to learn both English and Gurbaani Badami 's view in th is regard is that most of the immigrants in the abs ence of the ir home Also, Sharan secretly breaks the ru les of her rel igion by cutting her h2ir to even th em out And idealise their hom eland.

They saw their distant hom es festivals wen t, and ce lebrated th em a ll - Baisakh i, Di,1a li, Eid, Hanukkah , Christmas Sharan as if through a telescope, every small wound or scar, exciting the ir imaginations and their forces Jasbeer to trim his ha ir ou t of consideration of social security.

For Jasbcer it seems to be an emotions, bringing tears to their eyes. Jasbccr 's house as tenants. The smell invades her days, spoiling her relish of rice and dal, and poisons her dreams. Once settled in Vancouver, Bibi-ji meets the pale-eyed Leela, who becomes her new neighbour.

On the way to the airport from India back to Canada a young taxi driver hands Leela a slip of paper with his name and address. His wife Nimmo has an aunt in Vancouver, where Leela and her husband are headed.

This is a novel where women are front and centre, transforming hardship and pain into potency. Women are resilient. Though the novel deals with death, it is full of life. Badami vividly evokes the everyday sights, sounds, smells, and above all, tastes of both India and Canada. Readers may experience extreme cravings for samosas and parathas, for tandoori and naan, as their fragrant spices seem to emanate from the very pages.

Badami also writes vividly about sexuality. As Satpal whitewashes over the marks, Nimmo tries to help, spattering most of the paint onto the floor.

The novel reaches a devastating climax when the conflicts of the past erupt into the lives of all three women. Do you remember how we used to go from house to house on Halloween saying Trick or Treat and expecting nothing more terrifying than a handful of candy?

We were dressed as monsters but we were only children. Now I am no longer a child but in the last few years I had become a monster. I went around the villages of Punjab, banging on doors, holding out a cloth bag. The door would open and a frightened face would peer out. They knew I was there to make money.

Trick or Treat, I wanted to say, Trick or Treat. Not that the person who opened the door had a choice. I expected a gift of money or gold. Both would be used to buy us food and more guns and grenades.

This was how we found the means to fight for a free country. Free country. But the coexistence of these two levels has the effect of altering each of the two cultures, essentially suggesting the strangeness for young men from such different horizons of being invested with such power.

Thus the violence is all the more enhanced by the apparent sweetness of the act of trick-or-treating once worlds collide. Badami , Anita Rau. Can You Hear the Nightbird Call?

Toronto: Knopf Canada, Bauman , Zygmunt. Liquid Times: Living in an Age of Uncertainty. Cambridge: Polity, Bhabha , Homi K. Peter Hulme. London: Methuen, The Post-Colonial Studies Reader. London: Routledge, The Location of Culture.

Fanon , Franz. The Wretched of the Earth. Constance Farrington. London: Macgibbon and Kee, Paris: Maspero, Samoyault , Tiphaine. Nadeau, Werbner , Pnina. Neither here nor there. Since , this military line has divided the former princely state of Kashmir into two parts, one controlled by India, the other by Pakistan.

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